When I see a ready-to-wear garment I like and serendipitously find its sewing pattern twin, I feel like the winner of a secret matching game. To keep track of them, I started a pinterest board on my new sewing-only account called Buy it or Make It – a rhetorical question for the enthusiastic seamstress.
This Badgley Mischka dress was just released as a pre-Fall pattern (Vogue 1460) by McCall’s and it is my jam on sprouted wheat toast. I am all about the dolman sleeve for no fuss fitting and the high cowl neckline is just the right amount of soft and sexy to balance the sleek pencil skirt.
Peter Pan collars are terribly cute to me, but that’s the problem. They can look TOO cute if not handled properly. But, Peter Pilotto produces a peter pan collar like a prince (given his price tag, that irresistible alliteration is now a double entendre). I would take Vogue 9109, a multi-cup size pattern (my favorite kind), and reshape the collar pattern to make it more like Mr. Pilotto’s sharp, wide-set one.
Nina Ricci didn’t reinvent the wheel with her draped cashmere coat, but seeing it sure does inspire me to make a cheaper version. It’s hard for me to think about third and fourth layers while drowning in summer humidity, but a quick project like Butterick 6244 (sewn unlined with double faced wool) could be just the thing to kick off serious winter sewing when I’m actually ready for it. Luckily, the planning of it can happen while enjoying A/C.
The sporty asymmetry of this white Victoria Beckham dress is really appealing to me. McCall’s released a multi-cup pattern, M7185 that has a similar look. The pattern has a full skirt variation — my default style choice — but, I might be widening my (or rather narrowing) my horizons next season by sewing a slim skirt style or two.
Which of these styles would you like in your life?
Horizontal. Vertical. Diagonal. Stripes. I want to wear them in a box or with a fox or in Fort Knox. They’ve been on my mind considerably. It doesn’t help that all of my social media feeds keep tempting me with more stripey fashion. Tipping me over the edge was the awesomely clever, curve-loving stripe placement on this recently Instragrammed dress by Andie of Sew Pretty in Pink.
Here’s the rest of the inspiring, striped lovelies that have been strolling through my mind palace like spoiled divas. They all have ridiculous price tags, but knock-affable features for the gung-ho seamstress. Take a scroll with me…
This $1,420 dress by Thakoon with its low neckline, elasticated waist and wide pastel striping is the picture of cuteness. And, the model’s skin with those colors!
How about this silk tunic dress by Etro
? Fa-bu-lous. At $1,340, it better be! Finding the perfect black and white striped fabric to pair with white silk for the hems would be a serious hunt, but color blocking could work (almost like piecing a quilt). And that floral detail on the right shoulder…could be hand painted. Effectively elevating it to the level of slap-your-mama gorgeous.
This Giorgio Armani
striped knit skirt is asking to be knocked off with its $1,427 price tag. Seriously, it’s two rectangles and a double knit. Overpriced but adorable.
I want to date this dress by J.W. Anderson. I’m not sure what the technical term is for that off the shoulder flounce detail, but I love how it sits ever so slightly askew to echo the bias, tri-color stripes. At $1,419, it’s waiting to be bought by a high rolling dame or DIY’d by a clever maker.
A drapey wrap dress pattern, a big floral print and the perfect coordinating striped fabric could recreate this look from Chloe. Luckily the silk crepe de chine available to home sewers is way more affordable than the $2,095 price tag of this beauty.
I never would have thought to add a rib knit waistband to a sheer skirt, let alone do it all in stripes. High five to Marni f
or this $589 piece of sewing inspiration. Note to self: This is how you wear above the knee shorts in public.
. On sale at the moment for $2,446. It’s sequin. And the peek of stripes at the skirt corner is everything.
I can always count on Stella McCartney to bring it. The simplicity of stripe layering on this t-shirt dress is what’s makes it catch your eye. I’m hoping something like this catches my sewing machine soon.
Speaking of simplicity. The way Altuzarra is working the stripes on this shirtdress…the only effort at matching is on the almost invisible front pocket. Instead of paying $1,321 for it, I might let it inspire an adventure with McCall’s 6891, an underestimated pattern in my stash that could ease me into shirtdressmaking.
A knock off of this $1,570 Piazza Sempione dress in a knit is totally doable with McCall’s 7121. Finding the thick, double stripe fabric would be the challenge.
OK. I’ve never heard of Tanya Taylor Peggy,
but her $525 pencil skirt of dueling stripes has me wishing I was her best friend. The moment I snag the right fabric, this skirt is happening.
The finale of this tribute to parallel lines is brought to you by Halston Heritage.
This dress is a breathtaking argument for giving curves a license to wear horizontal stripes. I can’t spot a waistline seam (or any for that matter), so I won’t talk smack about the $445 price, but it does open my mind wide to the transformational power of stripes. Wide enough to reconsider my phobia (more like lazy avoidance) of stripe matching.
Which of these beauties inspires you?
Can you believe I found this cotton sateen at Joann’s of all places? Because I cannot. And I’m the one who bought it! It’s from the new fabric line, “Gertie”, designed by our favorite vintage-crazy, blogging seamstress, Gretchen Hirsch. And, I really, really dig it.
Finding cotton sateen at Joann was a miracle all on its own, but to find a print that reminds me of this Dolce & Gabanna collection I’ve been stalking for months was downright magic.
I think it’s brilliant to choose ONE print for so many garments. D&G’s collection has more than I featured above, but I’d be happy with just three pieces in a mini capsule wardrobe.
I didn’t get 10 yards of Gertie floral, however. Only three. Figured I’d make one dress (get a little pattern placement practice with those massive flowers – mind the girls, now) and see what happens from there. Though I can predict getting tired of the print after hours of handling it and walking away from my One-Print-Many-Garments fantasy.
What would you make with this bold cotton sateen floral?